On the occasion of the final issue of the artists’ magazine GAGARIN the Artists in their Own Words, Wilfried Huet is creating an exhibition at S.M.A.K.
The artistic practice of James Welling unfolds in the liminal zones between photography and painting, film, architecture, sculpture and dance. It is characterized by its distinct sense of experimentation and its radical stylistic diversity.
Déformation Professionnelle shows new work by Nairy Baghramian.
These Strangers… Painting and People presents us with the human figure as shown in painting over the last forty years.
S.M.A.K., together with MAC’s Grand-Hornu, is devoting a book and a presentation to the postcards of Peter Downsbrough (1940, New Brunswick).
S.M.A.K. honours its attendants by letting them create their own exhibition with works from the collection.
In Vincent’s Asylum, Loek Grootjans (1955, the Netherlands) shows an asylum in which he has collected traces of the renowned painter Vincent Van Gogh. It will be on show in the Floraliënhal (Flower Show Hall), part of the complex that includes ...
This exhibition is based on two monumental works by Mario Merz (1925-2003): Les maisons tournent autour de nous ou nous tournons autour des maisons (1979) and L’Horizon de lumière traverse notre verticale du jour (1995).
In his artistic practice, the young Kasper Bosmans (Lommel, 1990) explores science, design, folklore, local and general history, and art.
This year S.M.A.K. and the Friends of the S.M.A.K. are once again offering a platform for talented young people from the Belgian art colleges.