While the first part of Upside Down focused on the radical developments in sculpture in the 1960s and 1970s, the second part Let's Dance will include mainly new, contemporary productions transforming the exhibition into a lively/living ...
The largest survey of his work today, Praise of Folly throws a spotlight on most of Javier Téllez' (1969, Valencia, Venezuela) major films and installations of the last ten years.
The work of the Brussels-based artist Richard Venlet (1964) combines sculpture, art history research, exhibition design and architecture.
Traditionally earmarked for young talent, the KunstNu room is occupied this time by an installation custom-made by the German artist Florian Auer (°1984, Augsburg).
The exhibition Upside Down, in collaboration with the Museum of Contemporary Art, S.M.A.K. in Ghent, deals with the formal and conceptual developments in, as well as the relationships between, sculpture and dance in the 1960s and 1970s.
Rachel Harrison (New York, 1966) is considered to be one of the most influential sculptors of her generation.
S.M.A.K. is presenting an exhibition by the young American artist Jordan Wolfson (°1980, New York), which is built up around a ‘trilogy’ of his recent animation films.
Last summer KUNSTWERKT, in the margins of the urban exhibition TRACK, started working with the inhabitants of 3 residential care centres and 1 service flat complex.
Each of the four rooms in this exhibition serves as a separate chapter discussing various functions that art can assume.
“And this flow of light which could produce a place, this flow of air which could produce a sound, all of it remaining unpredictable, this incidence could have a moment of hesitation, in the case that at least two people are there.” Maria ...