The Invisible Beauty exhibition was made for the Pavilion of Iraq at the 2015 Venice Biennale. S.M.A.K. shows a museum version of this initiative.
In April 2016 From the Collection: 1964-'76 - sans M.B. opened as a prelude to the Broodthaerskabinet in January 2017.
Rinus Van de Velde (1983, Leuven, Belgium) draws himself as the leading player in the biography of an imaginary artist.
This exhibition presents key works by Michael Buthe (Germany, 1944-‘94) from the early 1960s to the early 1990s.
The S.M.A.K. shows works from the collection that have been acquired in the last few years.
In spring 2016, these two internationally acclaimed artists will each set up an artwork in the public space of Korenmarkt in Ghent. S.M.A.K. takes this opportunity to situate the two artists’ designs in the broader context of their oeuvres.
In The Bottom Line, the S.M.A.K. presents work by 53 international artists as a sample of the current significance of drawing in contemporary art.
S.M.A.K. and Mu.ZEE are presenting a selective survey of work by the Belgian artist Lili Dujourie from her debut until the present.
At the S.M.A.K., Geys plans among other things, to show recent work which, like his earlier work, arises out of his critiques of institutions and political-social issues.