With the series ‘The Curated Institution’ we cast a wide eye on the notion of curating as a form of institutional leadership. How can an institution be curated and what can curators do to change, tweak or reimagine institutional structures from an artistic point of view?
Who is Luca Lo Pinto?
Luca Lo Pinto (1981) is the artistic director of MACRO - Museum of Contemporary Art of Rome. From 2014 to 2019 he worked as curator of Kunsthalle Wien. He is co-founder of the magazine and publishing house NERO. He produced a range of solo exhibitions with artists including Simone Forti, Nathalie du Pasquier, Jason Dodge, Tony Cokes, Cinzia Ruggeri, Camille Henrot, Olaf Nicolai, Pierre Bismuth, Babette Mangolte, Lawrence Weiner, Gelatin&Liam Gillick, Charlemagne Palestine as well as publications with Emilio Prini, Mario Garcia Torres and Mario Diacono. Other curatorial projects include Io, Luca Vitone (PAC, Milan),16th Art Quadriennale (Palazzo delle Esposizioni, Rome), Le Regole del Gioco (Achille Castiglioni Studio-Museum, Milan); Trapped in the closet (Carnegie Library/FRAC Champagne Ardenne, Reims), Antigrazioso (Palais de Toyko, Paris); AnderSennoSogno (H.C. Andersen Museum, Rome); D’après Giorgio (Giorgio de Chirico Foundation, Rome); Conversation Pieces (Mario Praz Museum, Rome). His essays have been published in many catalogues and international magazines. In 2012 he edited the book Documenta 1955-2012. The endless story of two lovers.
