For budding artists, the road to established artistry can be long and challenging. For several years, the Friends v/h S.M.A.K. have organised the 'Prize of the Friends v/h S.M.A.K.', an exhibition that gives them visibility every two years. Because without being visible, that road is even more difficult.
Now we are going one step further: as a sign of faith in these artists, we want to add the artworks of the 11 laureates of the past two editions to our S.M.A.K. collection. With your support, we will help these leading artists emerge from the shadows!Deposit your contribution on the account number:
- BE10 0000 0000 0404 | BIC: BPOTBEB1
- With the message: +++623/3732/80058+++
- From 40 euros, you will receive a tax certificate. Even though it is not a work of art, it is particularly interesting.
This initiative is a collaboration with the King Baudouin Foundation.
Get to know the 11 laureates and their work.
![Jemina](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fexhibitions%2FARCHIEF%2FPrijzen%2FJemina.f1644420262.jpeg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=556&q=90&w=806&s=5f6013cfce8aa1da18e29126c1c35ca2)
Jimena Chávez Delion
Jimena Chávez Delion (b.1989, Lima) studied at ENSAV La Cambre, Brussels and the Royal Academy of Fine Arts Antwerp. Her recent sculptural and filmic work is inspired by the formal and material culture that arises in public places. This culture subsequently influences the identity of communities, the perception of values and the exchange of goods and contacts.
![Mark](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fexhibitions%2FARCHIEF%2FPrijzen%2Fmark.f1644420256.jpeg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=556&q=90&w=806&s=d9f8a4db11c21bacef3e7d58b9519c4b)
Mark Grootes
Mark Grootes (b.1991, Zaanstad) studied at KASK School of Arts, Ghent. In his multimedia work, he studies the relationship between humans and their environment. He often departs from specific places that exhibit a striking tension between nature and the cultivated landscape, between contemporary and historical architecture, or that notably deviate from expectations.
![Angyvir](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fexhibitions%2FARCHIEF%2FPrijzen%2FAngyvir.f1644420261.jpeg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=556&q=90&w=806&s=45edffb2fde95d915156f12c34c0b179)
Angyvir Padilla
Angyvir Padilla (b.1987, Caracas) studied at the Académie royale des Beaux-Arts, ENSAV La Cambre and LUCA School of Arts in Brussels. She develops immersive installations and performances that integrate concepts such as belonging, migration and memory, which also relate to her homeland Venezuela. The artist explores the gaps between identity, materials and spaces and the emotions they evoke.
![Foto](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FFoto.f1625575888.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=556&q=90&w=806&s=442406b08f088d649b6bcde7c7567e6b)
Anaïs Chabeur
Anaïs Chabeur (b. 1992, Paris, France) is a pluridisciplinary artist based in Brussels. She graduated with a master's degree from La Cambre in 2016. Through films, objects and voices, her practice grasps liminal situations that touch on finitude and the coexistence of material and subtle worlds. In autumn 2021, she presented a solo exhibition at V2Ving (Brussels) and participated in the "Unacknowledged loss" residency at deSingel (Antwerp) under the direction of Barbara Raes. Recent exhibitions include Risquons-Tout, Wiels (Brussels), De la lenteur et de la mesure, Maison Grégoire (Brussels), A computer does not hesitate, Botanique (solo, Brussels), De Beeldenstorm, Brakke Grond (Amsterdam). She was a finalist for the Prijs van de Vrienden v/h S.M.A.K. (Ghent) and a HISK laureate (Ghent).
![Elias Cafmeyer portret](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FElias-Cafmeyer_portret.jpeg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=556&q=90&w=806&s=2c70f081816fc6b9c05444534ad59196)
Elias Cafmeyer
Elias Cafmeyer (°1990, Belgium, Roeselare) studied Graphic Design at K.A.S.K. Antwerp between 2013 and 2014, followed by Sculpture / Spatial Art at Sint-Lucas Antwerp and also obtained a Master's degree in Fine Arts.
Cafmeyer starts from his fascination with urban development. He creates site-specific installations and sculptures in and about public space. Here, the urban landscape is a metaphor for the social fabric within an urban context.Cafmeyer takes residues from urban space and elements that orchestrate mobility out of their original context and combines them in a surreal way. In this way, he puts the viewer on the wrong foot and questions the existing infrastructure and its use, often resulting in tragicomic scenes.
![Portrait Guy Wouete Bea Borgers2020](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FPortrait_Guy_Wouete_Bea_Borgers2020.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=556&q=90&w=806&s=c3a101466a7f0330025f8a941aa30196)
Guy Woueté
Guy Woueté, born in 1980 Cameroon, lives and works in Antwerp and Douala. He studied sculpture and painting in Douala and was a resident at the Rijksacademie in Amsterdam.
He graduated from the University of Paris 8 and the École de Recherche Graphique (Erg) in Brussels, where he also teaches. Woueté's work always contains elements of social criticism, questions around borders, migration and symbols of domination in an age of globalisation. Woueté uses history as a source of material and mixes accounts of experience in collage, installation, performance, video and photographic work. He also works with sculpture and painting and creates artists' books. In every part of his practice, he seeks to break conventional attitudes that feed racism, discrimination, paternalism and alienation in all their forms.His work has been exhibited in many museums and art events, including the University of Fine Arts (Ho Chi Minh, Vietnam), MKHA (Antwerp, Belgium), S.M.A. K. (Ghent, Belgium), Beursschouwburg (Brussels, Belgium), the Kunstenfestivaldesarts (Brussels, Belgium), De Brakke Grond (Amsterdam, Netherlands), the Biennale of African Photography (Bamako, Malí), the Lubumbashi Biennale (Lubumbashi, Democratic Republic of Congo) Yaoundé National Museum (Yaoundé, Cameroon), Dak'Art Biennales (Dakar, Senegal), Havana Biennale (La Habana, Cuba), Enough Room for Space (Drogenbos, Belgium) and Spazzju Kreattiv (Valletta, Malta), among others.
![Portret Henry Andersen horizontaal](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2Fportret_Henry-Andersen_horizontaal.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=556&q=90&w=806&s=35111b7a6713a7a25e0ceeb33f4f2c50)
Henry Andersen
Henry Andersen studied as a composer of experimental music in Perth and Berlin before moving to Brussels and retraining as a visual artist. He makes performances, sculptures, sound recordings and print work, sometimes alone and sometimes in collaboration with Bryana Fritz as part of the duo Slow Reading Club.
Henry has presented work in contexts such as MAK Schindler House (US), Lafayette Anticipations (FR), Bergen Kunsthal (NO), S.M.A.K. (BE), Damien & The Love Guru (BE), Critical Distance (CA), ZKM (DE), kunstenfestivaldesarts (BE), and La Loge (BE). In 2019, he co-edited the publication The Floor is Uneven. Does it Slope? with Laura Herman, on the work of architectural duo Gins & Arakawa, via Mousse Publishing.![Jonathan tuin](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2Fjonathan-tuin.f1625578228.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5235&fp-y=0.415&h=556&q=90&w=806&s=6e0702723b46d9724f3cc82916cb48ce)
Jonathan Paepens
Jonathan Paepens (°1989 in Zottegem, Belgium) studied at KASK in Ghent, where he obtained the Master of Fine Arts degree in 2016. Afterwards, Jonathan Paepens completed a postgraduate at HISK. In 2018, he won the Audience Award of Prijs van de Vrienden v/h S.M.A.K.
Am I the idiot? The question keeps haunting me, assailing me. It chases me, like Psyche, through field and valley. It seeks me out in unguarded moments and flies comfortably into my lap. I try to open a conversation with a gentle caress. Then it flees nervously into a dark corner. I call after it; the sound dies immediately. In the forest, the air is dens and the others idiots shout just as loudly. The question disappears into the finite and leaves me alone for a while. Suddenly, it looms before me again. Like a deafening fog, it rises from the ground. The clarity disappears, the water becomes stormy and murky. Am I the idiot? Just at these moments, I thought so much about gaining clarity now that I have to put down another text about my work. Am I the idiot?![HEADSHOT WIERZCHOWIECKA](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FHEADSHOT_WIERZCHOWIECKA.f1625578430.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=556&q=90&w=806&s=dce3dc578fac41d592a030be1fa94a80)
Justyna Wierzchowiecka
Justyna Wierzchowiecka (b. 1991, Koszalin, Poland) is a Polish artist living in Brussels. She works mainly in photography and video. Justyna received her Bachelor's degree in visual design from ÉSAD Orléans, and she graduated from the Master's programme in photography at the Academy of Fine Arts La Cambre in Brussels. She is the author of the Museum Studies project in which she photographs museum interiors, artworks and exhibitions; audiences and staff of institutions; bookstores and gift shops of museums. The artist often reverts to archival images. A recurring theme in her work is the appropriation of images and subjecting them to sophisticated digital processing.
![PHOTO 2021 06 17 20 32 07 2](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FPHOTO-2021-06-17-20-32-07-2.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=556&q=90&w=806&s=522b0cdd47bb7f0b82d9dff32f4ee114)
Lieselotte Vloeberghs
Lieselotte Vloeberghs was born in Lier on 17 November 1994 and completed her master's degree in Free Visual Arts at Luca School of Arts Ghent in 2018.
Her main works are IE-a room of paper, a puzzle of drawn views-and Attempts to be more kind-a PDF course in kindness, community arts for shy artists.Lieselotte is influenced by literature, spiritual techniques and meanings. Okkernuts and angelic figures determine sequences, materials or colours. Usually to end in an order without hierarchy.
![Portret Maud Gourdon horizontaal](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2Fportret_Maud-Gourdon_horizontaal.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=556&q=90&w=806&s=13f7f9e50866c11f85dcc9eb3b07cd87)
Maud Gourdon
Maud Gourdon (°1991, France) is a Brussels-based visual artist who works mainly around the construction of narratives that take the form of installations composed of drawings, texts and sculptures. Gourdon's installations always flow from intimate stories and objects that she wraps in wordplay, line play and multiple forms. Her stories travel through history and tradition in search of possible connections - through analogy, homophony, homography, coincidence, slip or pen - to gather material to create contemporary fictions. For her, this way of making connections is a model of storytelling.
Maud Gourdon obtained her Master in Fine Arts from KASK (Ghent, Belgium), in 2017. She obtained her BA in Communication from La Hear (Strasbourg, France) in 2014. She recently exhibited her work at, among others, M-Museum (Leuven, BE), Cas-co (Leuven, BE), Pavillon Charles Vandenhove (Ghent, BE), Le Transpalette (Bourges, FR), S.M.A.K. (Ghent, BE), le 19, CRAC Montbelliard (France), Damien and the Love Guru, (Brussels, BE), Kiosk (Ghent, BE).The selected works
![3 Schermafbeelding 2021 07 13 om 11 53 26kopie](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2F3Schermafbeelding-2021-07-13-om-11.53.26kopie.f1626334184.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=138&q=90&w=250&s=e9cdf03072238424ebe96fe0cb5bfa44 250w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2F3Schermafbeelding-2021-07-13-om-11.53.26kopie.f1626334184.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=276&q=90&w=500&s=0c6218160f2310bce03db39528aeb6cd 500w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2F3Schermafbeelding-2021-07-13-om-11.53.26kopie.f1626334184.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=551&q=90&w=1000&s=3599154506581ba5ce8b65c972740811 1000w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2F3Schermafbeelding-2021-07-13-om-11.53.26kopie.f1626334184.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=827&q=90&w=1500&s=b8f66a59a60d6a79614544e48a160c99 1500w)
Anaïs Chabeur
The Mountain, The Tree, Yourself, 2018
![Schermafbeelding 2021 07 13 om 11 58 29](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-11.58.29.f1626170341.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=138&q=90&w=250&s=5b854ea2880cb7456bc49132098a120e 250w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-11.58.29.f1626170341.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=276&q=90&w=500&s=08ea5960b7f2314820b104d243540b29 500w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-11.58.29.f1626170341.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=551&q=90&w=1000&s=f3d441023f2f2dcdc230c887db08b20b 1000w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-11.58.29.f1626170341.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=827&q=90&w=1500&s=3c5025cf55b48a7bdcf529b7b20414d4 1500w)
Angyvir Padilla
HOME BOTH CONTAIN US AND IS HOUSED WITHIN US, 2020
![1 Schermafbeelding 2021 07 13 om 12 02 39](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2F1Schermafbeelding-2021-07-13-om-12.02.39.f1626334204.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=138&q=90&w=250&s=27357c371187097b6c15ccfb02302239 250w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2F1Schermafbeelding-2021-07-13-om-12.02.39.f1626334204.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=276&q=90&w=500&s=1ef89e9aa9098f53a5ca3cdb1df40adc 500w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2F1Schermafbeelding-2021-07-13-om-12.02.39.f1626334204.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=551&q=90&w=1000&s=d8d860ddf75a853d6c69d631c358b5d3 1000w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2F1Schermafbeelding-2021-07-13-om-12.02.39.f1626334204.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=827&q=90&w=1500&s=e700c4931180d28276a07f6f915baa19 1500w)
Elias Cafmeyer
Tentoonstellingsmeubilair, 2021
![SMAK Henry Andersen 20180822 01 LR](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSMAK-HenryAndersen-20180822_01_LR.f1626171031.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=138&q=90&w=250&s=cd7465934ebef0fe81d98e91f65e9c7b 250w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSMAK-HenryAndersen-20180822_01_LR.f1626171031.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=276&q=90&w=500&s=3981e7814daa63f662ef0d102c08d5da 500w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSMAK-HenryAndersen-20180822_01_LR.f1626171031.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=551&q=90&w=1000&s=8c75b3b4823f032bf5fa28f26bb6807d 1000w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSMAK-HenryAndersen-20180822_01_LR.f1626171031.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=827&q=90&w=1500&s=447b50f1505fb88df1fcf2a255d25259 1500w)
Henry Andersen
Stanzas or the Law of the Good Neighbour, 2018
![Lexicon Jimena Chavez Delion](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FLexicon-JimenaChavezDelion.f1626334215.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=138&q=90&w=250&s=668fd4fc1950878121e65405e53a6c33 250w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FLexicon-JimenaChavezDelion.f1626334215.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=276&q=90&w=500&s=84efc7f6c1623d91abb0767e2ce116e5 500w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FLexicon-JimenaChavezDelion.f1626334215.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=551&q=90&w=1000&s=5a28fef93cda2704bc2538b3ad23cea0 1000w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FLexicon-JimenaChavezDelion.f1626334215.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=827&q=90&w=1500&s=5fb1078cafb24a5c7611e85f9bb93cc4 1500w)
Jimena Chávez Delion
Lexicon, 2021
![Naamloos 1](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FNaamloos-1.f1626171318.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=138&q=90&w=250&s=9c3f645a25046d028d813129f32f4ca0 250w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FNaamloos-1.f1626171318.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=276&q=90&w=500&s=1c8f4f87cc7bdadd9a6707aafd61887b 500w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FNaamloos-1.f1626171318.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=551&q=90&w=1000&s=912c15c4b94d89faaa6d4b13ca112eeb 1000w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FNaamloos-1.f1626171318.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=827&q=90&w=1500&s=8e898b27b1efdc4db34d807049491290 1500w)
Jonathan Paepens
Sleep, 2018
![Wierzchowiecka 22](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FWierzchowiecka-22.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=138&q=90&w=250&s=f7c1d1f14b903a3bdeb524b460435064 250w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FWierzchowiecka-22.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=276&q=90&w=500&s=993f43897fcb52fe0de2ad899a66537b 500w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FWierzchowiecka-22.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=551&q=90&w=1000&s=6817b5ed21f4d58df5e586193436cca7 1000w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FWierzchowiecka-22.jpg?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=827&q=90&w=1500&s=9b592776f8234accd06255f1f0cc3bc2 1500w)
Justyna Wierzchowiecka
Museum Studies, 2018
![Schermafbeelding 2021 07 13 om 12 26 31](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-12.26.31.f1626172069.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=138&q=90&w=250&s=9018cb937456dab6d62b8745c0061627 250w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-12.26.31.f1626172069.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=276&q=90&w=500&s=f28046026e1598952487a8bf53368fa2 500w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-12.26.31.f1626172069.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=551&q=90&w=1000&s=69fa96be826177331de6de4fae8db658 1000w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-12.26.31.f1626172069.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=827&q=90&w=1500&s=444fe2a981e2a66c978c30c8e595a91d 1500w)
Lieselotte Vloeberghs
Attempts to be more kind, Lesson 17; Throwing a party to celebrate pictorial aspects, 2020
![Schermafbeelding 2021 07 13 om 12 29 18](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-12.29.18.f1626172198.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=138&q=90&w=250&s=75d183ca2ccbcdb87a70c183c9807c70 250w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-12.29.18.f1626172198.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=276&q=90&w=500&s=a199d9d2254d053fe2b2c2e9cf8ceb19 500w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-12.29.18.f1626172198.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=551&q=90&w=1000&s=674c18c10768cff85ae4735e28ebc486 1000w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-12.29.18.f1626172198.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=827&q=90&w=1500&s=e0d7139d146eb3bbe61c42e3afb8e1bf 1500w)
Mark Grootes
The Planthunter, 2021
![Schermafbeelding 2021 07 13 om 13 24 16](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-13.24.16.f1626175505.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=138&q=90&w=250&s=8b10e6c81593cd6a50911e8d908c669e 250w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-13.24.16.f1626175505.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=276&q=90&w=500&s=844d72ba4f6498a8f9df77fa45e8f127 500w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-13.24.16.f1626175505.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=551&q=90&w=1000&s=5a368fc388422b9cb77d69aa14e44276 1000w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-13.24.16.f1626175505.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=827&q=90&w=1500&s=0640b67128835f23b988fed0b8e1613f 1500w)
Maud Gourdon
Seeds, 2020
![Schermafbeelding 2021 07 13 om 15 00 38](https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-15.00.38.f1626181293.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=138&q=90&w=250&s=fa81647173b0a7e1e9729643d1ed6907 250w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-15.00.38.f1626181293.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=276&q=90&w=500&s=e1a738814775ad8d8189e45dd1d88451 500w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-15.00.38.f1626181293.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=551&q=90&w=1000&s=ff05948d095416c77fe6b5104f98d82a 1000w, https://smak.imgix.net/https%3A%2F%2Fsmak.be%2Fvolumes%2Fgeneral%2FCOLLECTIEBOUWERS%2FSchermafbeelding-2021-07-13-om-15.00.38.f1626181293.png?auto=compress%2Cformat&crop=focalpoint&dpr=2&fit=crop&fp-x=0.5&fp-y=0.5&h=827&q=90&w=1500&s=19a2ac6abc54f5ed6281d96b2449d9e2 1500w)
Guy Woueté
Objets Migrants, 2018